Between Beauty and Danger: Vicki Demito's Experience with Aesthetic Procedures
- Matheus Hooks/ Editor-In-Chief
- Mar 28
- 3 min read
In recent years, the pursuit of the perfect body has led many people to undergo aesthetic procedures without fully understanding the risks involved. Influencer Vicki Demito knows this reality all too well: after undergoing body harmonization treatments, she discovered that the injected material was dangerous and could have fatal consequences. Today, she uses her experience to warn others about the dangers of this industry.
Working with one's own image can be a challenge, and Vicki Demito feels this pressure firsthand. “Nowadays, you wake up already bombarded with information about the perfect life, the perfect body. And when you work in this industry, you become your own business card,” she explains. She believes that those who fit the most accepted beauty standards tend to gain more relevance on social media, which only increases the pressure.
But to what extent is the pursuit of the ideal body worth the risk? Vicki underwent a procedure believing she was receiving a collagen stimulator, but the reality was far different. “On the second application, I immediately had a rejection reaction. At the hospital, they told me it wasn’t a stimulator but a different type of product. I felt deceived, powerless,” she confesses.
After this discovery, Vicki faced serious health issues that could have been fatal. “Severe pain, recurring ulcers, and I recently found out it could have led to a pulmonary embolism or kidney failure,” she reveals. Fortunately, she was able to seek help in time, but the experience was traumatic.
Despite the challenges, she doesn’t believe there is a lack of information about the risks of aesthetic procedures. “Today, the media talks a lot about it. Before doing anything, it’s standard practice to have a consultation with a doctor. I think we are aware of the risks,” she assesses. However, the final decision isn’t always based solely on information but also on social pressure.
For Vicki, the beauty standards imposed on trans women can be even more intense. “There’s this idea of ‘being a woman.’ But what does it mean to be or look like a woman nowadays? That question is, at the very least, complex,” she reflects.
Since a young age, she has faced criticism about her appearance. “I suffered a lot from the comments, cried, went to therapy. I still do, but nowadays, I don’t care anymore. It’s my body, and it’s unfair to compare myself to others. What truly matters is looking in the mirror and feeling good about myself.”
If she could advise someone who feels the need to change to be accepted, she would say, “If you feel that need, then change. Who am I to judge?”
Today, Vicki is part of a group that raises awareness among men and women about the dangers of unsafe aesthetic procedures. “Whenever I have the chance to talk about this in a media outlet or publication, I’ll be there. I’m incredibly grateful to be here telling my story because I could have become just another statistic.”
She believes that Brazil already has strong regulations in the aesthetics industry, but the real problem lies in the tolerance of irresponsible professionals. “Anvisa is very strict. What’s missing is reporting bad professionals,” she states.
When it comes to changing beauty culture on social media, Vicki advocates for measures such as ending filters and stricter moderation of comments. “Filters create a distorted image that makes everyone insecure. I think we should educate ourselves more and stop comparing so much.”
Finally, Vicki leaves a warning: “Think about whether you’re getting procedures because you truly want them or because of beauty standards. And always seek safe places. Our lives are priceless—we can’t afford to cut corners when it comes to health.”
Vicki Demito’s story is a reflection of the reality faced by many people in pursuit of unattainable beauty standards. By turning her pain into a warning, she reinforces the importance of making conscious and safe choices in the world of aesthetics.
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